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Four down, two to go...
Apr. 8th, 2004 10:41 pmChris on call again tonight, fifth call in less than two weeks. Somehow we're getting through, and I'm hoping against hope that Easter approaches something that can be called a holiday. He'll be post-call tomorrow, so that'll be a write-off in terms of Family Time, but on Saturday, for the first time in over a week he will be neither on call nor post-call. So that might be OK. We'll try to do the egg hunt that day, unless he gets yet another migraine. In which case I'll do it myself while he's on call Sunday or post-call on Monday.
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I finally watched L&O:SVU from this last Tuesday. Can anybody explain to me why the word 'bisexual' seemed to be non-existent in this sordid tale of black men who are married but have sex with other men (during 'Poker' Nights - get it? Poker? Oh, the punny humour), and the closeted white men who fall in love with them? Like, seriously. Is the concept really that outlandish? Did the whole middle range of the Kinsey Scale just disappear while I wasn't looking?
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Put up the new![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
thursday100plus challenge today and there's already two entries to it. I'm even thinking of writing an entry (of course, because how else should I occupy my time when I'm doing the single-mom thing on Easter weekend and have a paper and an exam looming ahead of me?). However, I might put it off because so far I seem to have been whacked with the angsty stick really, really hard. Can't seem to write anything remotely resembling uplifting.
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Can anybody tell me how they make those moving icons? I got an idea for a fadeout for Blessed is the Norm, but haven't a clue of how to start.
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Choir last night was amazing. We're actually getting the music, and getting it well. Laus Deo was majestic and dynamic and a whole bunch of superlative adjectives. Will Ye No Come Back Again, which I now discover is about Bonnie Prince Charlie, came off without a hitch. Including the stratosphere-scraping descants.
I'm always really happy when I see descants. As far as I can tell, it's the only real way we sopranos can prove we're worthy to be in a choir. I mean, we're the biggest section, and by far the dumbest. Sorry, but we are - we have the melody 95% of the time, so we never have to learn to sight read. So while the other parts are actually working, we just breeze through. Except for those embarrassing incidents where we screw up music any child could figure out, get the rest of the choir rolling their eyes, and make our conductor want to cry.
But descants? That's our forte. As long as we can do it without getting screechy, that's the one time when we actually add something to the choral experience. And it's always kind of neat to see the other parts get impressed by our three-bar-long high G's, or A's.
Then again, I once read a theory that perhaps sopranos are as dumb as sacks of hair because the high notes we hit scramble our brains. The music gods giveth, and they taketh away.
The other song we did very, very well was Wood River, with our conductor doing the solo. It's too bad he won't be able to do the solo for the performance, because he actually has a very, very nice voice. It was an interesting set-up, too - the guy up front providing the melody and directing at the same time.
I finally watched L&O:SVU from this last Tuesday. Can anybody explain to me why the word 'bisexual' seemed to be non-existent in this sordid tale of black men who are married but have sex with other men (during 'Poker' Nights - get it? Poker? Oh, the punny humour), and the closeted white men who fall in love with them? Like, seriously. Is the concept really that outlandish? Did the whole middle range of the Kinsey Scale just disappear while I wasn't looking?
Put up the new
thursday100plus challenge today and there's already two entries to it. I'm even thinking of writing an entry (of course, because how else should I occupy my time when I'm doing the single-mom thing on Easter weekend and have a paper and an exam looming ahead of me?). However, I might put it off because so far I seem to have been whacked with the angsty stick really, really hard. Can't seem to write anything remotely resembling uplifting.Can anybody tell me how they make those moving icons? I got an idea for a fadeout for Blessed is the Norm, but haven't a clue of how to start.
Choir last night was amazing. We're actually getting the music, and getting it well. Laus Deo was majestic and dynamic and a whole bunch of superlative adjectives. Will Ye No Come Back Again, which I now discover is about Bonnie Prince Charlie, came off without a hitch. Including the stratosphere-scraping descants.
I'm always really happy when I see descants. As far as I can tell, it's the only real way we sopranos can prove we're worthy to be in a choir. I mean, we're the biggest section, and by far the dumbest. Sorry, but we are - we have the melody 95% of the time, so we never have to learn to sight read. So while the other parts are actually working, we just breeze through. Except for those embarrassing incidents where we screw up music any child could figure out, get the rest of the choir rolling their eyes, and make our conductor want to cry.
But descants? That's our forte. As long as we can do it without getting screechy, that's the one time when we actually add something to the choral experience. And it's always kind of neat to see the other parts get impressed by our three-bar-long high G's, or A's.
Then again, I once read a theory that perhaps sopranos are as dumb as sacks of hair because the high notes we hit scramble our brains. The music gods giveth, and they taketh away.
The other song we did very, very well was Wood River, with our conductor doing the solo. It's too bad he won't be able to do the solo for the performance, because he actually has a very, very nice voice. It was an interesting set-up, too - the guy up front providing the melody and directing at the same time.
